La pastorella

Millet, La pastorella [1868-1872].jpg
Autore: 
Millet, Jean-François (1814-1875)
Titolo: 
La pastorella
Altri titoli: 
The little shepherdess
Periodo: 
XIX secolo
Datazione: 
non datato (1868-1872)
Classificazione: 
Dipinto
Tecnica e materiali: 
Olio su tavola
Dimensioni (altezza x larghezza in centimetri): 
35,7 x 25,5
Luogo di conservazione: 
Art Institute of Chicago, Illinois, USA
Acquisizione: 
Dono di Honoré e Potter Palmer, 1922
Identificativo: 
1922.413

Provenienza:

  • forse F. Petit, dal 31 dicembre 1873.
  • Knoedler & Co., acquistato da Petit, 31 dicembre 1873.
  • Albert Spencer, New York, acquistato da Knodler, 2 novembre 1874; vendita, Ortgies & Co., New York, February 28 febbraio 1888, lotto 44.
  • Potter Palmer, Chicago, acquistato nella vendita precedente.
  • Bertha Honoré Palmer, in eredità da suo marito Potter Palmer, 1902.
  • Honoré e Potter Palmer, in eredità dalla loro madre Bertha Honoré Palmer, 1908; donato all'Art Institute, 1922.

Mostre:

  • Paris, Galeries Georges Petit, Exposition de chefs-d’oeuvre de l’école français, Maggio 1910, n° 119.
  • Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, 1 giugno - 1 novembre 1933, n° 254 del catalogo.
  • Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, 1 giugno - 1 novembre 1934, n° 199A del catalogo.
  • Art Institute of Chicago, The Complete Printed Work of Jean François Millet, 28 ottobre 1944 - 7 gennaio 1945, senza catalogo.

Bibliografia:

  • Montezuma, “My Note Book,” The Art Amateur 18, 5 (1888), p. 105.
  • Julia Ady, “Jean-François Millet,” Masters in Art 1, 8 (1900), p. 35.
  • Bulletin of the Art Institute of Chicago 15, 5 (1921), p. 157 (illustrato).
  • Lena M. McCauley, “Some Collectors of Paintings,” Art and Archaeology 12, 3–4 (1921), p. 166
  • Art Institute of Chicago, Forty-Third Annual Report (Chicago: Art Institute of Chicago, 1921), p. 38 (illustrato)
  • Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 68, n° 825.
  • Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 68, n° 825.
  • “Millets in the Art Institute,” Bulletin of the Art Institute of Chicago 18, 7 (1924), p. 88.
  • Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), pp. 51, 146, n° 825.
  • Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), pp. 47, 164.
  • Ishbel Ross, Silhouette in Diamonds: The Life of Mrs. Potter Palmer (New York: Harper & Brothers, 1960), p. 156.
  • Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), pp. 312-313.
  • Robert L. Herbert, “Millet Reconsidered,” Art Institute of Chicago Museum Studies 1 (1966), pp. 38, 62, 63 (illustrato), 64, fig. 23.
  • Frederick A. Sweet, “Great Chicago Collectors,” Apollo 74, 55 (1966), p. 194.
  • Patricia Phagan, a cura di, Charles Meryon and Jean-François Millet: Etchings of Urban and Rural 19th-Century France, (Athens, Georgia: Georgia Museum of Art, 1993), p. 57, n° 34.
  • Chantal Georgel, Millet (Paris: Citadelles & Mazenod, 2014), pp. 290, 293–294, fig. 281.