Il porto de La Rochelle

Corot, Il porto de La Rochelle.png
Autore: 
Corot, Jean-Baptiste Camille (1796-1875)
Titolo: 
Il porto de La Rochelle
Altri titoli: 
Le port de La Rochelle
The harbor of La Rochelle
Periodo: 
XIX secolo
Datazione: 
non datato (1851)
Classificazione: 
Dipinto
Tecnica e materiali: 
Olio su tela
Dimensioni (altezza x larghezza in centimetri): 
50,5 x 71,8
Annotazioni: 
Firma in basso a destra: COROT
Luogo di conservazione: 
Yale University Art Gallery, New Haven, Connecticut, USA
Acquisizione: 
Lascito di Stephen Carlton Clark, 1961
Identificativo: 
1961.18.14

Bibliografia:

  • Loudolphe de Virmond and Théophile Silvestre, Histoire des artistes vivants français et étrangers; études d’après nature (Parigi: E. Blanchard, 1856), 404.
  • Henri Dumesnil, Corot: souvenirs intimes (Parigi: Rapilly, 1875), 126, no. 58.
  • Théophile Silvestre, Les artistes français: études d’après nature (Parigi: G. Charpentier, 1878), 265.
  • Léon Roger-Milès, Corot (Parigi: Librairie de l’art, 1891), 46, 83.
  • Léon Roger-Milès, Album classique des chefs d’oeuvre de Corot: comprenant 40 reproductions d’après les toiles les plus célèbres du maître: précédées d’un essai critique, E´d. du monument (Parigi: Braun Clément, 1895).
  • Maurice Hamel, Corot et son oeuvre (Parigi: Goupil & Co., 1905), 28.
  • Alfred Robaut and Etienne Moreau-Nélaton, Histoire de Corot et de ses œuvres, 1 (Parigi: H. Floury, 1905), 128–32, 137–38, 230–31, no. 69, Vol. 1&2.
  • Marc Lafargue, Corot (Parigi: F. Rieder & cie, 1925), 39, fig. Plate 25.
  • Élie Faure, Corot (Parigi: Éditions G. Crès, 1931), fig. 53.
  • Walter Pach, Catalogue of European & American Paintings 1500–1900. Masterpieces of Art (New York: Art Aid Corporation, 1940), 175, 177, no. 253, fig. 253.
  • Germain Bazin, Corot (Parigi: Éditions Pierre Tisné, 1942), 119, no. 75, fig. 75.
  • Pierre Courthion, Corot raconté par lui-même et par ses amis, Pensées et écrits du peintre (Geneva: P. Cailler, 1946), Vol 1&2, fig. plate 60, 145.
  • Stephen Carlton Clark, American, B.A. 1903, A collectors taste: a benefit exhibition of paintings. Selections from the collection of Mr. and Mrs. Stephen C. Clark for the benefit of the Fresh Air Association of St. John, catalogo della mostra (New York: M. Knoedler & Co., 1954), no. 5.
  • Daniel Baud-Bovy, Corot (Geneva: A. Jullien, 1957), 200.
  • André Coquis, Corot et la critique contemporaine (Parigi: Dervy, 1959), 60–61.
  • The Art Institute of Chicago, Corot 1796-1875: an exhibition of his paintings and graphic works, the Art Institute of Chicago, October 6 through November 13, 1960, catalogo della mostra (Chicago: The Art Institute of Chicago, 1960), 22, no. 76.
  • Camille Mauclair, Corot, peintre-poète de la France (Parigi: A. Michel, 1962), 42, 44.
  • Francoise Forster-Hahn, French and School of Parigi Paintings in the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1968), 4–5.
  • The Past Rediscovered: French Painting 1800–1900, catalogo della mostra (Minneapolis: Minneapolis Institute of Arts, 1969), no. 17, illustrato.
  • Madeleine Hours, Jean-Baptiste-Camille Corot (New York: Harry N. Abrams, 1972), 84.
  • Katherine Neilson and Andrew Carnduff Ritchie, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972), no. 73, illustrato.
  • Kermit Swiler Champa, Studies in Early Impressionism (New Haven, Conn.: Yale University Press, 1973), 15, fig. 20.
  • Jean Leymarie, Corot (New York: Rizzoli International Publications, Inc., 1979), 91–92.
  • Helen Gardner, Horst De la Croix, and Richard G Tansey, Gardner’s Art through the ages, 7 (New York: Harcourt Brace Jovanovich, 1980), 755–56.
  • Samson Lane Faison Jr., The Art Museums of New England (Boston: David R. Godine, 1982).
  • Alan Shestack, ed., Yale University Art Gallery Selections (New Haven, Conn.: Yale University Art Gallery, 1983), 60–61, illustrato.
  • Jean Selz, La vie et l’œuvre de Camille Corot (Parigi: ACR Edition, 1988), 164–66, 170–71, illustrato.
  • Anna Maria Arias de Cossia, La pintura del siglo XIX en Francia, 1 (Barcelona, Spain: Vicens-Vives, 1989).
  • Michael Clark, Corot and the Art of Landscape, 1 (New York: Cross River Press, 1991), 91–94, fig. 94.
  • Norma Broude, Impressionism: a feminist reading: the gendering of art, science, and nature in the nineteenth century (New York: Rizzoli International Publications, Inc., 1991), fig. tav. 19.
  • Iain Gale, Corot (London: Studio Editions Ltd, 1994), 92–3, illustrato.
  • Michael Pantazzi et al., Corot: 1796-1875, catalogo della mostra (Parigi: Reunion des Musees Nationaux, 1996), 296.
  • Martin Dieterle and Claire Lebeau, Corot: la lumière des villes (Parigi: Herscher, 1996), 54–5, illustrato.
  • Gary Tinterow et al., Corot, catalogo della mostra (New York: The Metropolitan Museum of Art, New York, 1996), 219–20, no. 96, fig. 70.
  • Galeries Nationales du Grand Palais, The National Gallery of Canada, and The Metropolitan Museum of Art, New York, Corot (Parigi: Connaissance des Arts, 1996), 50–1, fig. 46.
  • Vincent Pomarède, Corot (Parigi: Flammarion, 1996), 96, illustrato.
  • Artists on Art: Observations by Yale Faculty on Selections from the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 1999), 20–21, illustrato.
  • Michael Conforti et al., The Clark Brothers Collect: Impressionist and Early Modern Paintings, catalogo della mostra (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2006), 135–37, 184, 316, 322, no. 65, fig. 112, 114.
  • Kobe Shiritsu Hakubutsukan, Corot: souvenirs et variations, catalogo della mostra (Tokyo: Kokuritsu Seiyo Bijutsukan, 2008), 14–15, fig. 1.
  • Vincent Pomarède, Corot e l’arte moderna: souvenirs et impressions, catalogo della mostra (Venezia, Italy: Marsilio, 2009), 2–5, fig. 1.
  • David Liot, Michael Pantazzi, and Vincent Pomarède, De Corot à l’art moderne: souvenirs et variations, catalogo della mostra (Parigi: Hazan, 2009), 16, fig. 1.