Emmanuel Chabrier

Manet (attribuito a), Emmanuel Chabrier.png
Autore: 
Manet, Édouard (1832-1883) (attribuito a)
Titolo: 
Emmanuel Chabrier
Altri titoli: 
Portrait of the composer Emmanuel Chabrier
Periodo: 
XIX secolo
Datazione: 
non datato (1881)
Classificazione: 
Dipinto
Tecnica e materiali: 
Olio su tela
Dimensioni (altezza x larghezza in centimetri): 
65,09 x 53,34
Luogo di conservazione: 
Harvard Art Museums | Fogg Museum, Cambridge, Massachusetts, USA
Acquisizione: 
Lascito di Grenville L. Winthrop, 1943
Identificativo: 
1943.259

Provenienza:

  • Emmanuel Chabrier, Parigi, dall'artista, 1881.
  • André Chabrier, per successione da Emmanuel Chabrier.
  • Madame Chabrier-Breton, Avignon, per successione (?).
  • Georges Bernheim, mercante d'arte, da Madame Chabrier-Breton, 1923.
  • Allard, Paris.
  • Chester Dale, New York, 1932.
  • Wildenstein & Company, New York, da Chester Dale.
  • Grenville Lindall Winthrop, acquistato da Wildenstein, per $ 16.000, 1933.
  • Fogg Art Museum, lascito Winthrop, 1943.

Bibliografia:

  • Julius Meier-Graefe, Edouard Manet, R. Piper & Co Verlag (Munich, Germany, 1912), pp. 250, 252.
  • Georges Servières, Emmanuel Chabrier 1841-1894, F. Alcan (Paris, France, 1912), ill.
  • Adolphe Tabarant, Manet: Histoire Catalographique, Ed. Montaigne (Paris, France, 1931), n. 366, p. 407
  • Paul Jamot and Georges Wildenstein, Manet, Les Beaux-Arts, Paris (Paris, France, 1932), vol. I, 174, n. 453, ill. vol. II, 47, fig. 119.
  • Edouard Manet: Retrospective Loan Exhibition, exh. cat., Wildenstein & Company (New York, NY, 1937), n. 35, ill.
  • Centenaire de la naissance de Chabrier, Opera-Comique (Paris, France, 1941), ill. sul frontespizio; p. 25.
  • Chinese Sculpture, Bronzes, Jades, Paintings and Drawings, Egyptian and Persian sculpture, Pre-Columbian art; selected from the collection of Grenville Lindall Winthrop, catalogo della mostra, Fogg Art Museum (Cambridge, MA, 1943), p. 11.
  • Adolphe Tabarant, Manet et ses oeuvres (Paris, France, 1947), n. 392, p. 543, testo p. 421-422, ill.
  • Roger Delage, "Chabrier et ses amis Impressionistes", L'Oeil (December 1963), n. 17, p. 21; ill. 17.
  • Yvonne Tié n. , Chabrier, par lui-même et par ses intimes (Paris, 1965), ill. p. 64.
  • Edward Lockspeiser, "Music and Painting: Chabrier, Debussy and the Impressionists", Apollo (January 1966), pp. 10-11, ill.
  • Sandra Orienti, L'Opera Pittorica di Édouard Manet (Milan, Italy, 1967), n. 354.
  • Paolo Lecalda n. ed., The Complete Paintings of Manet, Rizzoli or Abrams? (New York, NY, 1967), ill.
  • Rollo Myers, Emmanuel Chabrier and His Circle (London, England, 1969), pp. 5-6, 154, ill. tav. 6
  • Denis Rouart and Sandra Orienti, Tout L'Oeuvre Peint d'Edouard Manet (Paris, France, 1970), n. 358.
  • Denis Rouart and Daniel Wildenstein, Edouard Manet: Catalogue Raisonné, La Bibliothèque des Arts (Lausanne, Switzerland and Paris, France, 1975), n. 364, p. 272, ill. 273.
  • Francis Poulenc, Emmanuel Chabrier (London, England, 1981), ill. in b/n pp. 28 e 29.
  • Roger Delage, Chabrier (Geneva, Switzerland, 1982), pp. 10-11, ill. tav. 33.
  • Roger Delage, "Manet et Chabrier", Revue de l'Art (1983), n. 62, pps. 65-70, ill. in b/n p. 67, n. 4.
  • Richard Traubner, "Chabrier's Operas Make a Case for Popularity", The New York Times (New York, NY, 7 aprile 1985), Arts & Entertainment section, p. 25, ill. in b/n.
  • Kathleen Adler, Manet, Phaidon Press (Oxford, England, 1986), pp. 158-159, fig. 144.
  • Anne Distel, Les Collectionneurs des Impressionistes: Amateurs et marchands, La Bibliothèque des Arts (Paris, France, 1989), ill. a colori, n. 195, p. 221
  • Anne Distel, Impressionism: The First Collectors (New York, NY, 1990), p. 217, ill. fig. 195.
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 117; ill. n. 353.
  • Eric Darragon, Manet, Editions Citadelles (Paris, France, 1991), ill. a colori fig. 254, p. 349.
  • Stewart Buettner and Reinhard G. Pauly, Great Composers, Great Artists: Portraits, Amadeus Press (Portland, OR, 1992), ill. a colori p. 105, testo p. 104.
  • Roger Delage, Emmanuel Chabrier (Paris, 1999), p. 138.
  • Mariko Kaneda, "Selected Pia n. Works of Emmanuel Chabrier: A Stylistic Analysis", (2001), Unpublished, ill.sul frontespizio, p. xiv.
  • Stanley Sadie, ed., The New Grove Dictionary of Music and Musicians, MacMillan (London, 2001), ill. 404, fig. 1.
  • Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Re n. r.. La Collection Grenville L. Winthrop, catalogo della mostra, Réunion des Musées Nationaux (Paris, France, 2003), n. 87, pp. 230-232, ill. a colori.
  • Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., Metropolitan Museum of Art / Yale University Press (New York, NY, 2003), n. 87, pp. 221-223, ill. a colori

Mostre:

  • Edouard Manet: Retrospective Loan Exhibition, Wildenstein Gallery, New York, New York, 19 marzo 1937 - 17 aprile 1937, n. 35.
  • Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, Pre-Columbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 1 ottobre 1943 - 28 febbraio 1944
  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, The Metropolitan Museum of Art, New York, 23 ottobre 2003 - 25 gennaio 2004, n. 87.
  • For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 16 aprile 2004.