Donna che legge

Manet, Donna che legge [1].jpg
Autore: 
Manet, Édouard (1832-1883)
Titolo: 
Donna che legge
Altri titoli: 
Femme lisant
Woman reading
Periodo: 
XIX secolo
Datazione: 
non datato (1879-1880)
Classificazione: 
Dipinto
Tecnica e materiali: 
Olio su tela
Dimensioni (altezza x larghezza in centimetri): 
61,2 x 50,7
Annotazioni: 
Annotato in basso a sinistra: Manet
Luogo di conservazione: 
Art Institute of Chicago, Illinois, USA
Acquisizione: 
Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1933
Identificativo: 
1933.435

Provenienza:

  • J. B. Faure (morto 1914), Parigi, acquistato dall'artista per 500 franchi [registrato nel libro dei conti di Manet].
  • Maurice Faure, per successione, 1914.
  • Howard Young, New York, dal 1929.
  • Mrs. Lewis (Annie Swan) Coburn (morta 1932), Chicago dal 1929.
  • Lascito testamentario di Mrs. Lewis (Annie Swan) Coburn all'Art Institute, 1933.

Mostre:

  • Paris, Ecole Nationale des Beaux-Arts, Exposition des Oeuvres de Édouard Manet, January 1884, cat. 92.
  • Pittsburgh, Carnegie Institute, Exhibition of Paintings: Édouard Manet, Pierre Renoir, Berthe Morisot, October–December 1924, cat. 37 ill.
  • Paris, Bernheim-Jeune, Exposition des Oeuvre de Manet, 1925, cat. 78.
  • Paris, Bernheim-Jeune, Exposition des Oeuvre de Manet, April–May 1928, cat. 25 ill.
  • Berlin, Goldschmidt Galerie, Impressionisten Sondersusstellung, 1928.
  • The Art Institute of Chicago, Mrs. L. L. Coburn Collection, 1932, cat. 17 ill.
  • The Art Institute of Chicago, Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 328.
  • The Art Institute of Chicago, Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 249.
  • New York, Wildenstein & Co., Edouard Manet: A Retrospective Loan Exhibition for the Benefit of French Hospitals, March–April 1937, cat. 29 ill.
  • San Francisco, Palace of Fine Arts, Golden Gate International Exposition 1940, cat. 276 ill.
  • New York, Metropolitan Museum of Art, French Painting From David Toulouse-Lautrec, February–March 1941, cat. 81.
  • Des Moines, Iowa, Art Center, 19th and 20th Century European and American Art, 1948, no cat.
  • Birmingham, Ala., Museum of Art, Catalogue of the Opening Exhibition, April 8–June 3, 1951, p. 29.
  • The Philadelphia Museum of Art, Manet, November 3–December 11, 1966, cat. 161 ill; traveled to The Art Institute of Chicago, February 13–19, 1967.
  • The Art Institute of Chicago, Art at the Time of the Centennial, June 19–August 8, 1976, extended to August 15, 1976, no cat.
  • Albi, Musée Toulouse-Lautrec, Trésors Impressionnistes du Musée de Chicago, June 27–August 31, 1980, cat. 4 ill.
  • Washington D.C., National Gallery of Art, Manet and Modern Paris, December 5, 1982–March 6, 1983, cat. 22 ill.
  • Paris, Galeries nationales du Grand Palais, Manet: 1832–1883, April 22–August 1, 1983, cat. 174 ill; traveled to New York, Metropolitan Museum of Art, September 10–November 27, 1983.
  • Tokyo, Seibu, Museum of Art, The Impressionist Tradition: Masterpieces from The Art Institute of Chicago, October 18–December 17, 1985, cat. 34 ill; traveled to Fukuoka, Art Museum, January 5–February 2, 1986; and Kyoto, Municipal Museum of Art, March 4–April 13, 1986.
  • Tokyo, ASAHI, Masterworks of Modern Art From The Art Institute of Chicago, 1994, cat. 9 ill; traveled to Nagaoka, Niiagata Prefectural Museum of Modern Art; Nagoya, Aichi Prefectural Museum of Art; and Yokohama Museum of Art, 1994-1995.
  • London, National Gallery, Impressions: Painting Quickly in France, 1860-1890, November 1, 2000-January 28, 2001, no cat. no. ill; traveled to Amsterdam, Van Gogh Museum, March 2-May20, 2001 and Williamstown, Mass., Sterling and Francine Clark Art Institute, June 16-September 9, 2001.
  • Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 21 ill.

Bibliografia:

  • Théodore Duret, Histoire d’Édouard Manet et de son oeuvre (Paris, 1902), no. 255.
  • Théodore Duret, Manet and the French Impressionists (London, 1910), p. 251, no. 255.
  • Etienne Moreau-Nélaton, Manet: Raconté par lui-même vol. 2 (Paris, 1926), p. 53, fig. 241, 346 ill.
  • “Aus der soeben eröffneten Impressionisten-Sonderausstellung,” Der Cicerone 20, 3 (February 1928), p. 113 ill.
  • Art News 27, 40 (September 1929), p. 12 ill.
  • “Chicago Women Acquires a Famous Manet,” Art Digest 4 (October 1, 1929), p. 11 ill.
  • “Modern Art in New York,” Kunst und Künstler 28, 2 (November 1929), p. 82 ill.
  • The Art 16, 6 (1930), p. 411 ill.
  • A. Tabarant, Manet: Histoire catalographique (Paris, 1931), no. 293.
  • Paul Jamot and Georges Wildenstein, Manet (Paris, 1932), vol. 1, p. 161, no. 334, vol. 2, p. 71, fig. 158.
  • “Masterpieces of the French Impressionists,” The Fine Arts 19, 1 (June 1932), p. 23 ill.
  • Daniel Catton Rich, “The Bequest of Mrs. L. L. Coburn,” Art Institute of Chicago Bulletin 26 (1932), pp. 67 ill, 68.
  • “L’Exposition d’Art français de l’Art Institute of Chicago,” Formes 33 (1933), p. 382.
  • The Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1936), p. 34.
  • Théodore Duret, Manet, trans. J. E. Crawford Flitch (New York, 1937), pl. 37.
  • A. M. Franfurter, “Manet, First American Retrospective,” Art News (March 20, 1937), p. 24.
  • Arts and Dekorations 46 (April 1937), p. 19 ill.
  • Robert Rey, Manet (New York, 1938), pp. 69 ill 162, no. 69.
  • A. Tabarant, Manet et ses oeuvres (Paris, 1947), pp. 237, 328, 541, no. 297 ill.
  • Charles Fabens Kelley, “Chicago: Record Years,” Art News 51, 4 (1952), p. 107.
  • “French Painters: VIII. Edouard Manet,” Apollo (February 1953), pp. 49–52, ill 49.
  • Eric Newton, “French Painters, VIII-Édouard Manet,” Apollo 57 (1953), p. 49.
  • The Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), p. 34.
  • The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 27, ill 259.
  • Frederick A. Sweet, “Great Chicago Collectors, “ Apollo 84 (September 1966), pp. 203, (ill) 201, fig. 29.
  • George Heard Hamilton, “Is Manet Still Modern?,” Art News 31 (1966), p. 162.
  • The Art Institute of Chicago, Calendar 61, 1 (January 1967), pp. 4, 5 ill.
  • Phoebe Pool and Sandra Orienti, The Complete Paintings of Manet (New York, 1967), no. 261 ill.
  • Denis Rouart and Daniel Wildenstein, Edouard Manet: Catalogue raisonné: Peintures vol. 1 (Paris, 1975), p. 244, no. 313 ill.
  • Anne Coffin Hanson, Manet and the Modern Tradition (New York, 1977), pp. 66, 174, pl. 7, fig. 113.
  • Diane Kelder, Great Book of Impressionism (New York, 1980), p. 113 ill.
  • Kathleen Adler, Manet (Oxford, 1986), pp. 200-1 ill.
  • Richard R. Brettell, French Impressionists (Chicago, 1987), ill.
  • The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Chicago, 1988), p. 62 ill.
  • Robert Snell, “Seen Through A Temperament,” Times Literary Supplement (December 15, 2000), p. 17.
  • The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 21, p. 61 ill.