Donna che dà da mangiare alle galline

Millet, Donna che da da mangiare alle galline.png
Autore: 
Millet, Jean-François (1814-1875)
Titolo: 
Donna che dà da mangiare alle galline
Altri titoli: 
Woman feeding chickens
Periodo: 
XIX secolo
Datazione: 
non datato (1846-1848)
Classificazione: 
Dipinto
Tecnica e materiali: 
Olio su tela
Dimensioni (altezza x larghezza in centimetri): 
45,8 x 38,2
Annotazioni: 
In basso a destra: J. F. Millet
Luogo di conservazione: 
Art Institute of Chicago, Illinois, USA
Acquisizione: 
Dono di Mrs. Florence Lathrop Field, 1894
Identificativo: 
1894.1064

Provenienza:

  • Letrône, forse acquistato dall'artista; vendita, Hôtel Drouot, Parigi, 14 gennaio 1859, lotto 33.
  • (forse) Mary J. Morgan; vendita, New York, American Art Galleries, 3 marzo 1886, lotto 116.
  • Henry Field, Chicago, fino al 1890.
  • Mrs. Florence Lathrop vedova Henry Field, in eredità; donato all'Art Institute, 1894.

Mostre:

  • The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, Tokyo, The Seibu Museum of Art, 18 ottobre - 17 dicembre 1985, Fukuoka, Fukuoka Art Museum, 5 gennaio - 2 febbraio 1986, e Kyoto, Kyoto Municipal Museum of Art, 4 marzo - 13 aprile 1986, n° 2 del catalogo.

Bibliografia:

  • “Drift of the Dog Days" in The Collector 4, 16 (1893), p. 247.
  • Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 56, n° 32.
  • “The Henry Field Memorial Collection" in Art Amateur 31, 6 (1894), p. 115.
  • “Art Institute of Chicago: II - Modern Paintings: The Henry Field Collection" in Art Amateur 32, 1 (1894), p. 19.
  • Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37, n° 32.
  • Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 67, n° 32.
  • Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 73, n° 32.
  • Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago: 1898), p. 94, n° 32.
  • Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago: IV. - The Henry Field Memorial Collection" in Brush and Pencil 2, 1 (1898), p. 7.
  • “Chicago, Ill.: The Art Institute of Chicago" in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, n° 32.
  • Louis Soullié, Peintures, aquarelles, pastels, dessins de Jean-François Millet relevés dans les catalogues de ventes de 1849 à 1900 (Paris: L. Soullié, 1900), p. 33.
  • Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 162, n° 132.
  • Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, n° 32.
  • Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 167, n° 132.
  • Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago, Art Institute of Chicago, 1907), p. 179, n° 132.
  • Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 171, n° 132.
  • Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 115, n° 132.
  • Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 119, n° 132.
  • Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 119, n° 132.
  • Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 24, n° 132.
  • Etienne Moreau-Nélaton, Millet: raconté par lui-même vol. 2 (Paris: H. Laurens, 1921), pp. 5, 9, 55.
  • Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 24, n° 132.
  • Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 24, n° 132.
  • “Millets in the Art Institute" in Bulletin of the Art Institute of Chicago 18, 7 (1924), pp. 87-88.
  • Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 146, n° 132.
  • Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 164.
  • Robert L. Herbert, “Millet Reconsidered" in Art Institute of Chicago Museum Studies 1 (1966), pp. 32, 43, 57, fig. 5.
  • William S. Talbot, “Jean-François Millet: Return from the Fields" in Bulletin of the Cleveland Museum of Art 60, 9 (1973), pp. 260 - 1, fig. 5. Edward J. Sullivan and Ruth Krueger Meyer, The Taft Museum: European and American Paintings (New York: Hudson Hills Press, 1995), pp. 263-264, fig. 1.

Nota:

Sotto si propone un disegno attinente al dipinto, Étude pour une femme nourrissant des poulets, conservato in una collezione privata.

Millet, Studio per Una donna che da da mangiare alle galline.jpg