Ballo in maschera all’Opéra

Manet, Ballo in maschera all'Opera | Bal masqué à l'Opéra | Masked ball at the Opera
Autore: 
Manet, Édouard (1832-1883)
Titolo: 
Ballo in maschera all’Opéra
Altri titoli: 
Bal masqué à l'Opéra
Masked ball at the Opera
Periodo: 
XIX secolo
Datazione: 
non datato (1873)
Classificazione: 
Dipinto
Tecnica e materiali: 
Olio su tela
Dimensioni (altezza x larghezza in centimetri): 
59,1 x 72,5
Annotazioni: 
Firma in basso a destra: Manet
Luogo di conservazione: 
National Gallery of Art, Washington, DC, USA
Acquisizione: 
Dono di Mrs. Horace Havemeyer in memoria di sua suocera, Louisine W. Havemeyer
Identificativo: 
1982.75.1

Provenienza:

  • Jean-Baptiste Faure [1830-1914], dal 1873.
  • Vendita Faure, Hôtel Drouot, Parigi, 29 aprile 1878, n. 40, invenduto.
  • Jean-Baptiste Faure fino ad almeno il 1884.
  • (Durand-Ruel et Cie, Paris e New York.
  • Henry Osborne Havemeyer [1847-1907], New York, acquistato da Durand-Ruel, 16 gennaio 1894.
  • Mrs. Louisine Havemeyer, nata Waldron Elder [1855-1929], New York, in eredità da suo marito.
  • Mrs. Horace Havemeyer [nata Doris Anna Dick, 1890-1982], in eredità o in donazione.
  • NGA, dono di Mrs. Horace Havemeyer, 1982.

Mostre:

  • Exposition Manet, Ecole des Beaux-Arts, Parigi, 1884, n. 69.
  • Exposition of Paintings by Edouard Manet, Durand-Ruel Galleries, New York, 1895, n. 29.
  • Manet and Modern Paris, National Gallery of Art, 1982-1983, n. 39, ill.
  • Manet, Grand Palais, Paris; The Metropolitan Museum of Art, New York, 1983, n. 138, ill.
  • Französische Impressionisten und ihre Wegbereiter aus der National Gallery of Art, Washington und dem Cincinnati Art Museum, Neue Pinakothek, Munich, 1990, n. 24, ill.
  • Stav.ndid Legacy: The Havemeyer Collection, The Metropolitan Museum of Art, New York, 1993, n. 357, tav. 196.
  • Paris in 1874: The Year of Impressionism, National Museum of Western Art, Tokyo, 1994, n. 79, ill.
  • Manet, Monet, and the Gare Saint-Lazare, Musée d'Orsay, Paris; National Gallery of Art, Washington, D.C., 1998, n. 26, fig. 140.
  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, n. 26, ill.
  • Manet: ritorno a Venezia, Palazzo Ducale, Venezia, 2013.

Bibliografia:

  • Venturi, Lionello. Les archives de l'impressionnisme. 2 voll. Paris and New York, 1939: II:205.
  • Rouart/Wildenstein 1975, n.216.
  • Hanson, Anne Coffin. Manet and the Modern Tradition. New Haven and London, 1977:42.
  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 450, n. 652, ill. a colori.
  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 247, ill.
  • Nochlin, Linda. The Politics of Visions: Essays on Nineteenth-Century Art and Society. New York, 1989: 75+, ill.
  • Distel, Anne. Les collectionneurs des impressionnistes. Amateurs et marchands. Paris, 1989:78, ill.
  • Französische Impressionisten und ihre Wegbereiter aus der National Gallery of Art, Washington und dem Cincinnati Art Museum, Catalogo della mostra Neue Pinakothek, Munich, 1990: n. 24, ill.
  • Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 9, 297, ill. a colori.
  • Coman, Florence E. Joi de Vivre: French Paintings from the National Gallery of Art. Washington, 1991: n. 10, ill.
  • Carr-Gomm, Sarah. Manet. London, 1992: 106, ill.
  • Callen, Anthea. The Spectacular Body: Science, Method and Meaning in the Work of Degas. New Haven and London, 1995:70, ill.
  • Kelder, Diane. The Great Book of French Impressionism, 1997, n. 95, ill.
  • Bailey, Colin B. Renoir's Portraits: Impressions of an Age. Catalogo della mostra Yale University Press, New Haven and London, in association with National Gallery of Canada Ottawa, 1997:n. 74, ill.
  • Manet, Monet, and the Gare Saint-Lazare. Catalogo della mostra Musée d'Orsay, Paris; National Gallery of Art, Washington, 1998: n. 26.
  • Mena Marqués, Manuela B. Manet en el Prado. Exh. cat. Museo Nacional del Prado, Madrid, 2003: 91, ill.
  • Alsdorf, Bridget. Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting. Princeton, 2013: 193, 197-198, tavola a colori 28.
  • Harris, Neil. Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago, 2013: 246, 248.
  • Duve, Thierry de. “The Invention of Non-Art: A History.” Artforum 52, n. 6 (Febbraio 2014): 198, 199, illustrato a colori.